Schedule of Classes

Variety of theatre assignments and performance responsibility working on productions.

An introduction to the theories, principles, and practices of acting for the stage.

A study of the essential elements of dramatic structure over a range of periods, genres and styles, with an emphasis on the practical imperatives of illuminating dramatic action in theatrical production.

An introduction to the principles and practices of scenic construction, safety, painting, and lighting. Explores types and utilization of scenery for theatre. Practical application through projects and work in the University Theatre.

Encouraging audience appreciation of the theatre through attending area theatre activities, discussions, and supplementary readings.

Encouraging audience appreciation of film art by surveying film history, genres, and technique through lecture, discussion, supplemental reading, and the viewing of domestic and foreign films.

Techniques for developing a unified practice in voice and movement for rehearsal and performance on stage. Basic anatomy the voice and body, especially as they relate to breath, support, and alignment. Working from a "neutral state" individually and in groups, recognizing ad correcting inefficient behaviors, learning the International Phonetic alphabet, and foundational work with poetic texts and period movement.

A continuation of the principles and techniques introduced in THE 201, The Actor's Instrument I.

Continuation of THE 107, THE 108.

The work of the theatrical producer and non-profit arts manager in the 21st century, with an emphasis on mission; institutional organization and culture; program selection; budgeting; audience development; grants, fund raising, and crowd sourcing; community engagement; marketing and public relations.

Principles, practices, and concepts of scenic, lighting, costume, and sound design, as well as theatre graphics skills.

An introduction to the principles and practices of costume construction, including safety, cutting, stitching, and draping. Explores types and utilization of costuming for theatre. Practical application through projects and work in the University Theatre.

Continuation of THE 207, THE 208.

Fundamentals of directing the play: script and character analysis, event and action, casting, staging, working with designers and actors.

Instruction and experience with stage lighting techniques and design concepts. Basic electricity, instrument optics, color application, and stage lighting theory provide background for creative design and lighting control.

New products and different uses of old or existing materials for stage settings, properties, costumes, and make-up.

Principles and practices of costume design used to develop particular styles, skills, and techniques in designing for a variety of dramatic texts.

Theatre produced for the young audience or by children: appropriate literature, production techniques, and techniques of creative dramatics.

The origins of theatrical and dramatic impulses in ancient cultures as well as the history of theatre and drama in the classical and medieval periods.

Continuation of THE 307, THE 308.

Special research or performance projects initiated by seniors to demonstrate integrated learning and theatre expertise. Problems and methods in various areas of theatre study.

Continuation of THE 315. Further development of the acting process focusing on Shakespeare and period styles.

Advanced work in performance and production. May be repeated up to a maximum of 15 semester hours. Topics listed in current Schedule of Classes.