Bradley Logo Schedule of Classes  
Fall Semester 2017  

Music
David C Vroman • Constance Hall 105 • 677-2595
MUS001Recital Laboratory (0 hours)
 01 MWF3:00 PM -3:50 PM DMCAUD David C Vroman  
MUS002Senior Recital (0 hours)
 01 *R* Arr  DMCAUD Anne Dervin  
 02 *R* Arr  DMCAUD Marcia Henry Liebenow  
 03 *R* Arr  DMCAUD Staff  
 04 *R* Arr  DMCAUD John R Jost  
 05 *R* Arr  DMCAUD Kyle J Dzapo  
 06 *R* Arr  DMCAUD Shirley Salazar  
 07 *R* Arr  DMCAUD Todd Kelly  
 08 *R* Arr  DMCAUD Kerry E Walters  
 09 *R* Arr  DMCAUD David C Vroman  
 10 Canceled
 11 *R* Arr  DMCAUD Michael W Hull  
 12 *R* Arr  DMCBDR Peggy Bonner  
MUS003Junior Recital (0 hours)
 01 Canceled
 02 *R* Arr  DMCAUD Marcia Henry Liebenow  
 03 *R* Arr  DMCAUD Staff  
 04 Canceled
 05 *R* Arr  DMCAUD Todd Kelly  
 06 *R* Arr  DMCAUD Kyle J Dzapo  
 07 *R* Arr  DMCAUD Shirley Salazar  
 08 *R* Arr  DMCAUD Staff  
 09 *R* Arr  DMCAUD Kerry E Walters  
 10 *R* Arr  DMCAUD Anne Dervin  
 11 *R* Arr  DMCAUD Michael W Hull  
 12 Canceled
MUS101Introduction to Music Business (3 hours)
 01 MWF11:00 AM -11:50 AM CON113 Carl Anderson  
MUS109Music AppreciationGenEd: FA   Core: FA(3 hours)
Prerequisite: Non-music majors only.
 01 *R* TT12:00 PM -1:15 PM O H168 Jason Terry  
 02 *R* MWF11:00 AM -11:50 AM GCC126 David Cyzak  
MUS115Voice Class (1 hour)
Prerequisite: MUS 105 or music major; consent of instructor.
 01 W12:00 PM -12:50 PM CON113 Shirley Salazar  
MUS125Foreign Language Diction for Singers (2 hours)
 01 TT9:00 AM -9:50 AM CON107 Kerry E Walters  
MUS140Piano Class for Adult Beginners (1 hour)
 01 MW12:00 PM -12:50 PM CON118 Michelle Brower  
 02 MW1:00 PM -1:50 PM CON118 Michelle Brower  
MUS141Orchestra (1 hour)
 01 TT4:20 PM -6:05 PM    Timothy Semanik  
 Symphony orchestra (audition required) for 1 credit hour. Class is held in University Hall Lydia's Lounge.
 02 M7:00 PM -9:30 PM CON304 Marcia Henry Liebenow  
 Peoria Symphony (audition required) for 1 credit hour
 03 Arr     Marcia Henry Liebenow  
 Knox Galesburg Symphony (audition required) for 1 credit hour
MUS142University Bands (1 hour)
 01 MW4:20 PM -6:00 PM DMCBDR David C Vroman  
 and Th6:15 PM -7:15 PM     DMCBDR      
 02 TT4:20 PM -6:00 PM DMCBDR David C Vroman  
MUS143Bradley Community Chorus (0.5 hours)
 01 W7:00 PM -9:00 PM O H164 John R Jost  
MUS144Bradley Chorale (1 hour)
 01 MTWTF12:00 PM -12:50 PM GCC126 John R Jost  
MUS145Women's Choir (1 hour)
 01 MW12:00 PM -12:50 PM    Kerry E Walters  
 Class will meet in University Hall Lydia's Lounge.
MUS146Jazz Band (1 hour)
 01 MTWT12:00 PM -12:50 PM DMCBDR Robert Brooks  
 02 M7:00 PM -9:00 PM DMCBDR Carl Anderson  
MUS161Music Theory I (2 hours)
Prerequisite: music major or consent of instructor.
 01 *R* MWF9:00 AM -9:50 AM CON113 John Orfe  
 02 *R* MWF10:00 AM -10:50 AM CON113 John Orfe  
MUS163Elementary Ear-Training and Sightsinging (1 hour)
Prerequisite: music major or consent of instructor.
Course Fee: $20 per credit hour
 01 *R* TT9:00 AM -9:50 AM CON113 Molly J Sloter  
 02 *R* TT11:00 AM -11:50 AM CON113 Molly J Sloter  
MUS165Keyboard Skills-Class Piano (2 hours)
Prerequisite: music major or consent of instructor; MUS 165 required for MUS 166.
 01 *R* MW8:00 AM -8:50 AM CON118 Chee Hyeon Choi  
 02 *R* MW9:00 AM -9:50 AM CON118 Chee Hyeon Choi  
 03 *R* MW11:00 AM -11:50 AM CON118 Chee Hyeon Choi  
MUS201Moguls in Music (3 hours)
 01 TT10:30 AM -11:45 AM GCC124 Douglas Frank  
 and               Carl Anderson 
MUS202History of Jazz (3 hours)
 01 Canceled
MUS204Music Promotions Practicum (0.5 hours)
Prerequisite: Music and Entertainment Industry major or consent of instructor.
 01 *R* MWF1:00 PM -1:50 PM CON107 Carl Anderson  
MUS235Music in Its Historical Perspective I (3 hours)
Prerequisite: music major or consent of instructor.
 01 MWF11:00 AM -11:50 AM CON107 Jason Terry  
MUS261Music Theory III (2 hours)
Prerequisite: MUS 161, 162; or consent of instructor.
 01 MWF1:00 PM -1:50 PM CON113 John Orfe  
MUS263Advanced Ear-Training and Sightsinging (1 hour)
Prerequisite: MUS 163, 164; or consent of instructor.
 01 TT1:00 PM -1:50 PM CON113 Molly J Sloter  
MUS265Advanced Keyboard Skills-Class Piano (2 hours)
Prerequisite: MUS 166 or consent of instructor; MUS 265 or consent of instructor required for MUS 266.
 01 MW10:00 AM -10:50 AM CON118 Chee Hyeon Choi  
MUS271Jazz Improvisation (2 hours)
Prerequisite: music major or concurrent enrollment in MUS 142 or 342.
 01 Canceled
MUS272Jazz Improvisation (2 hours)
Prerequisite: music major or concurrent enrollment in MUS 142 or 342.
 01 Canceled
MUS301Contemporary Issues in Music Business (3 hours)
Prerequisite: MUS 101.
 01 Canceled
MUS303Music Products Industry (3 hours)
Prerequisite: MUS 101
 01 TT10:30 AM -11:45 AM GCC202 Carl Anderson  
MUS305Counterpoint (2 hours)
Prerequisite: MUS 261 and 263, or equivalent.
 01 Canceled
MUS307Music Agency and Fine Arts Administration (3 hours)
Prerequisite: MUS 101 - Introduction to Music Business
 01 MWF9:00 AM -9:50 AM GCC214 Carl Anderson  
MUS309Ensemble (1 hour)
 01 *R* Arr     Keith Zimmerman  
 "Saxophone Ensemble"
 02 *R* Arr  DMCBDR Austin Seybert  
 "Trombone Ensemble"
 03 *R* Tu6:10 PM -8:00 PM DMCBDR Peggy Bonner  
 "Percussion Ensemble"
 04 TT2:00 PM -2:50 PM CON113 John R Jost  
 "Chamber Singers"
 05 *R* Arr  DMCBDR Staff  
 06 *R* Arr  CON113 Marcia Henry Liebenow  
 "Chamber Ensemble"
 07 *R* Arr  CON014 Robert Brooks  
 "Jazz Combo"
 08 *R* W4:40 PM -6:50 PM CON107 Michael W Hull  
 "Guitar Ensemble"
 Class will be held in University Hall - Lydia's Lounge
 09 Arr  DMCBDR David C Vroman  
 "Basketball Band"
 10 Arr     Lisette Kielson  
 "Collegium Musicum"
 11 Canceled
MUS323Marching Band Techniques (1 hour)
Prerequisite: Junior standing in music or consent of instructor.
Course Fee: $20 per credit hour
 01 *R* TT8:00 AM -8:50 AM CON113 David C Vroman  
MUS328Accompanying (1 hour)
Prerequisite: Consent of instructor.
 01 Arr  CON224 Chee Hyeon Choi  
MUS331Piano Pedagogy (2 hours)
Prerequisite: Consent of instructor.
 01 Arr  CON206 Jason Terry  
MUS335Music in Its Historical Perspective III (3 hours)
Prerequisite: music major or consent of instructor.
 01 MWF10:00 AM -10:50 AM CON107 Kyle J Dzapo  
MUS341Orchestra (1 hour)
 01 TT4:20 PM -6:05 PM    Timothy Semanik  
 Symphony Orchestra (audition required) for 1 credit hour. Class is held in University Hall Lydia's Lounge.
 02 M7:00 PM -9:30 PM CON304 Marcia Henry Liebenow  
 Peoria Symphony (audition required) for 1 credit hour
 03 Arr     Marcia Henry Liebenow  
 Knox Galesburg Symphony (audition required) for 1 credit hour
MUS342University Bands (1 hour)
 01 MW4:20 PM -6:00 PM DMCBDR David C Vroman  
 and Th6:15 PM -7:15 PM     DMCBDR      
 02 TT4:20 PM -6:00 PM DMCBDR David C Vroman  
MUS343Bradley Community Chorus (0.5 hours)
 01 W7:00 PM -9:00 PM O H164 John R Jost  
MUS344Bradley Chorale (1 hour)
 01 MTWTF12:00 PM -12:50 PM GCC126 John R Jost  
MUS345Women's Choir (1 hour)
 01 MW12:00 PM -12:50 PM    Kerry E Walters  
 Class will meet in University Hall Lydia's Lounge.
MUS346Jazz Band (1 hour)
 01 MTWT12:00 PM -12:50 PM DMCBDR Robert Brooks  
 02 M7:00 PM -9:00 PM DMCBDR Carl Anderson  
MUS360Introduction to Recording Arts and Sciences (3 hours)
Course Fee: $40 per credit hour
 01 M6:15 PM -9:00 PM    Gary Manuel  
 Class meets in CON 114 and also held at Mirror Image Studios
MUS401Orchestration (2 hours)
Prerequisite: MUS 261, 262, and senior standing.
 01 *R* TT10:30 AM -11:45 AM CON107 John Orfe  
MUS421Advanced Choral Conducting (1 hour)
Prerequisite: MED 322.
 01 Arr  CON205 John R Jost  
MUS480Vocal Literature (2 hours)
Prerequisite: MUS 335, 336; or consent of instructor.
 01 *R* Arr  CON204 Kerry E Walters  
MUS491Independent Study in Music (1 to 3 hours)
Prerequisite: senior standing or consent of instructor.
 01 *R* Arr  DMCBDR David C Vroman  
 02 *R* F9:00 AM -9:50 AM CON406 Molly J Sloter  
 03 *R* Arr     Staff  
 04 *R* Arr  CON105 David C Vroman  
 
Opportunity to perform and to listen critically, under faculty guidance. Discussion of topics of interest to music majors. Attendance required of all music students. Majors must perform at least once each semester, at teacher's discretion, and attend 10 concerts each semester. Grade based on concert and workshop attendance.
Required for B.M. and B.M.E. May be given in first or second semester of senior year.
Public performance guided by applied music faculty. Required for the Bachelor of Music degree in Performance. May be given in first or second semester of junior year.
Survey of the music business industry: music publishing, the recording industry, copyright law, performance rights, music products retailing, and arts management.
Detailed study of elements of music, and music notation; general survey of music and composers. How music expresses and communicates feelings and ideas: listening to compositions from various periods. Performance by faculty artists in class, and outside listening experiences. Satisfies fine arts general education requirement.
For freshman elementary education majors and instrumental music majors.
International Phonetic Association symbols for Italian, German, and French songs. Rules of pronunciation; special emphasis on vocal demands.
Elementary piano for non-music majors.
Participation in Bradley Symphony Orchestra, Peoria Symphony Orchestra, or Knox-Galesburg Symphony. One hour credit for each ensemble. Two sections may be taken each semester; may be repeated for a maximum of 16 hours credit. Open to all students by audition. Separate auditions required for each orchestra.
Participation in the Bradley Symphonic Winds and/or Bradley Symphonic Band. Concerts on and off campus. Two sections may be repeated for a maximum of 16 hours credit. Open to all students by audition.
Presents two major choral works with orchestra each year. Open to all students by audition.
Study and performance of choral music from all periods of music history: accompanied and unaccompanied works. Concerts on and off campus. Open to all students by audition.
Study and performance of choral music for women's voices. Concerts on and off campus. Open to all students by audition.
Bradley Jazz Ensemble and Jazz Lab Band. Study and performance of jazz from all eras. Concerts on and off campus. Two sections may be repeated for a maximum of 16 credits. Open to all students by audition.
Basic properties and notation of tone: diatonic scale systems; intervals; melodic organization; homophonic and contrapuntal two- and three-voice combinations.
Aural theory; intervals, triads, and inversions; rhythmic, melodic, and harmonic dictation.
Development of keyboard facility: scales, improvisation, sight reading, transposing, and performance of elementary piano literature. Development of music-reading facility: theoretical aspects of music such as scales, functional harmony, and intervals. Self-paced.
Moguls In Music will exam the careers of the most influential and notorious business icons of popular music. Students will learn the path to success of the true music entrepreneur through historical research and first hand accounts.
Designed to teach the development of jazz through the perspective of its major figures. Covers the spectrum of recorded jazz with an emphasis on listening, primary source readings, and in-class activities. Students will study the elements that define jazz as a unique musical idiom by examining stylistic periods, major innovators, performers and composers, and improvisation.
Music Promotions Practicum is designed to give students the opportunity to develop promotional and networking skills in the music industry within the campus environment. Each student will be assigned a semester-long project with a University ensemble or music organization, with the goal of creating promotional materials for their assigned group. May be repeated up to a maximum of 2 credit hours.
Music and its development in Western civilization: to 1600. Emphasis on acquaintance with and analysis of representative musical works and style, and on understanding of musical concepts in historical context.
Continuation of MUS 162 emphasizing contrapuntal techniques: imitation, the invention, contrapuntal devices, the fugue. Further study of seventh chords and formal structures.
Continuation of MUS 163, 164: aural recognition of various types of seventh and ninth chords; melodic and harmonic dictation, including chromatically altered chords and modulation.
Continuation of MUS 165, 166, including sightreading and additional chord progressions.
Theoretical principles in jazz; application to ultimate goal of a highly developed and musical performance. Rehearsals.
Theoretical principles in jazz; application to ultimate goal of a highly developed and musical performance. Rehearsals.
Overview of contemporary issues that are impacting the music business industry. Individual research in primary field of interest.
This course analyzes the various categories of the music products industry and their structure, financing, and market penetration. Additionally, students learn how to balance inventory through financial analysis and pricing models.
Contrapuntal practices of the 18th century.
This course studies the roles of agents, promoters, and arts administrators in both the private and non-profit sector.
Repertoire for small ensembles (vocal or instrumental), including Collegium Musicum. Workshop recitals.
Techniques in organization, training, and performance of marching bands in public schools and colleges. Five hours observation in public schools.
Vocal and instrumental accompanying, for piano and organ students. Requires minimum of 3 hours per week studio accompanying, and accompanying in recital workshops for these students.
Principles and methods of teaching piano: lectures, demonstrations, and observations.
Music and its development: 19th century (MUS 335) and 20th century (MUS 336). Emphasis on acquaintance with and analysis of representative musical works and style, and an understanding of musical concepts in historical context.
Participation in the Bradley Symphony Orchestra, Peoria Symphony Orchestra, or Knox-Galesburg Symphony. One hour credit for each ensemble. Two sections may be taken each semester; may be repeated for a maximum of 16 hours credit. Open to all students by audition. Separate auditions required for each orchestra.
Participation in the Bradley Symphonic Winds and/or Bradley Symphonic Band. Concerts on and off campus. Two sections may be repeated for a maximum of 16 hours credit. Open to all students by audition.
Presents two major choral works with orchestra each year. Open to all students by audition.
Study and performance of choral music from all periods of music history: accompanied and unaccompanied works. Concerts on and off campus. Open to all students by audition.
Study and performance of choral music for women's voices. Concerts on and off campus. Open to all students by audition.
Bradley Jazz Ensemble and Jazz Lab Band. Study and performance of jazz from all eras. Concerts on and off campus. Two sections may be repeated for a maximum of 16 credits. Open to all students by audition.
Designed for students who have an interest in making a career in the music industry, private industry audio/visual departments, and medium to large church and religious organizations or for performance majors interested in increasing their knowledge about live recording environments. The focus will be on understanding the basic concepts of operating professional audio equipment and how to professionally interact with the various parties involved in a recording project.
Symphonic scoring and scoring for school bands and choruses.
Continuation of Conducting II. Emphasis on full score reading and practical experience conducting the chorus or chorale.
Song literature for the solo voice; poetry and settings beginning with English lutenist airs. Monody, arias, and cantatas of the Baroque and Classic periods; songs of contemporary composers.
Directed independent study in a selected area of music or music education; weekly meetings with the instructor. May be repeated for a maximum of 6 hours credit.
This course meets a General Education requirement.
C1 - English Composition
C2 - English Composition
SP - Speech
MA - Mathematics
WC - Western Civilization
NW - Non-Western Civilization
FA - Fine Arts
HL - Human Values - Literary
HP - Human Values - Philosophical
CD - Cultural Diversity
SF - Social Forces
FS - Fundamental Concepts in Science
TS - Science & Technology in the Contemporary World
This course meets a Core Curriculum requirement.
OC - Communication - Oral Communication
W1 - Communication - Writing 1
W2 - Communication - Writing 2
FA - Fine Arts
GS - Global Perspective - Global Systems
WC - Global Perspective - World Cultures
HU - Humanities
NS - Knowledge and Reasoning in the Natural Sciences
SB - Knowledge and Reasoning in the Social and Behavioral Sciences
MI - Multidisciplinary Integration
QR - Quantitative Reasoning
This section meets a Core Curriculum requirement.
EL - Experiential Learning
IL - Integrative Learning
WI - Writing Intensive
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